"FUTURE TALKS is a highly recognised and established forum for interdisciplinary lectures, workshops and discussions on modern materials and technologies and its impact to the world of conservators, scientists, designers, artists and design and art galleries. The professional treatment of surfaces is often the ultimate and most difficult challenge for the conservator of modern heritage. Besides a profound knowledge of materials and technologies the conservator needs to have the necessary skills available to handle these challenges in a most reasonable, appropriate and professional way. The FUTURE TALKS 019 conference is focusing on the evolution and role of modern surface technologies in design and art, the diversity of visual qualities and appearences, the ageing phenomena and its public reception, scientific research, documentation techniques, decision-making and the practical conservation treatments involved."
The Art Business Conference was a one-day conference for art market professionals. If you’re involved in buying, selling or caring for fine art or antiques – whether you are a gallery owner, manager, art advisor, auctioneer, private collector, or professional advisor, this conference explored the key issues affecting the international art market today. Through presentations, Q&As, panel discussions, and workshops, industry experts shared advice and insights on many of the key factors in running an art business or collection – including the the latest updates in legislation and taxation.
Speaker: Suzanne Siano
Conservation, Damage and Coverage – Healthy, Wealthy and Wise: Conservation of contemporary art is often covered by fine art insurance. Discover how conservators use cutting edge techniques to restore contemporary art and learn how to optimize coverage after a minor bump or catastrophe. Speakers: Suzanne Siano (Modern Art Conservation), Natasha Fekula (AXA XL) & Wendy Lindstrom (Mazzola Lindstrom), moderated by Sarah Douglas (ARTnews)
The Valuation of Fine Art: Damage and Loss Cases - the necessity of specialized categories of expertise
The valuation of fine art and design for the purpose of damage/loss appraisal reports is a delicate matter composed of numerous voices within tiers of the art trade community. Choosing the right candidate to write a comprehensive valuation report and selecting the appropriate conservator/restorer impacts greatly on the final outcome of valuation and/or re-introduction of a compromised work within the art market. To address these questions supported by case studies, SIA Fine and Decorative Art and Design MA director has invited Laura Doyle, vice-president, collections managers for Chubb Group of Insurance Companies, Sylvia Falcón, a specialist in the valuation of damaged works of art and artifacts with a long career in litigation support and experience as a government expert witness and Suzanne Siano, expert conservator of 20th century and contemporary easel paintings.
One of the most challenging aspects of appraising a damaged artwork for the independent appraiser is establishing the loss of value without the benefit of another colleague to act as your sounding board. This session, part of a three-part series, will serve as an open forum for you to make sure you’ve covered all your bases when defending your argument for loss.Hosted by Jennifer Garland Ross, AAA, and Emily Thompson, AAA, each afternoon will focus on one specific period and medium, with a special guest appraiser working in that discipline. The group will meet at Modern Art Conservation, where Shauna Young, Senior Conservator, and the MAC team will demonstrate various treatments and conservation issues specific to contemporary paintings done in oil or acrylic on canvas. You will see some of the typical damages and hear the conservators' considerations and processes for conservation.
Hosted by Deborah Spanierman, AAA, Appraiser and past President of AAA.
2017 Winter Antiques Show: Panel Discussion sponsored by chubb
23 January 2017
New York City
Out of the Box Art
This panel will consider the appraisal and conservation of rare and unusual works of art.
This well-versed panel of industry experts will examine the intricate process of valuing and conserving “outside the box” artwork and objects. Topics will include artist studios and site specific works, comparing the process of these unique works to the valuation of more traditional media, and the complex issues faced by conservators when treating these pieces.
Damage and loss appraisals can be challenging for even the most seasoned appraisers. Having many more moving parts and problems to solve, damage and loss appraisals often also involve insurance adjusters and conservators to prepare a report that can be relied upon by all parties. This program will explore these interesting puzzles from all perspectives and include case studies. Each of the speakers will also discuss how best appraisers can work with members of their profession.
Betty Krulik, AAA, Betty Krulik Fine Art, Limited, Appriaser and past President of AAA
Claire Marmion, Adjuster, Haven Art Group
Suzanne Siano, Chief Conservator and Director, Modern Art Conservation